Nathalie Campion (1964) is a visual artist from the Belgian Ardennes. As a child, she found solace in nature, liberated by the sensation of being free, protected, and alive. Clay became her first intimate relationship and her most nurturing bond. Her work reflects the dual nature of the environment, both unsettling and enchanting. She explores the complex intertwining between nature’s memory and human potential, thus questioning their profound dialectic and laying the foundations for a reflection on rebirth. Through various artistic expressions—performance, sculpture, drawing—she delves into the heart of transgenerational emotional memory and the dreamlike unconscious, weaving a poetic and sensory narrative where the symbiosis between nature and humanity reveals its mysteries. Gradually exploring her art, she subverts established paradigms, transcending the boundaries of her imagination, engendering an inner rupture from which intimate fragments of the self emerge, much like the layers of life beneath a tree's bark. The fragmented images, witnesses to a plural heritage, draw inspiration from her past, from organic forms and artistic references, offering a reflection on human solidity and fragility. 

Nathalie Campion, self-taught, began her career as a visual artist relatively late. It was through the OV Project gallery that her first works were discovered in 2019, and since then, she has exhibited solo or in group shows in galleries and art fairs in Belgium and abroad (Brussels, Guadalajara, Dallas, Amsterdam, Geneva). She has undertaken numerous artistic residencies to refine her training. Today, she is represented by the Lee Bauwens gallery in Belgium, Ceramica Suro on the South American continent, and Taxidi Tinos in Greece.